This confession saves Pip from any further suspicion about the missing food. It also provides some humorous dialogue when Pumblechook and Mrs. Joe try to figure out how the convict got into the house.
Joe's abusiveness and lack of warmth are evident with such comments as: "Perhaps if I warn't a blacksmith's wife, and. Child abuse and religion were often targets of Dickens satire.
The adults' attack on Pip about the young never being grateful degenerates into the ridiculous when Mr. Wopsle and Pumblechook turn a conversation about pigs into a Sunday sermon and moral lecture for the young.
The satire continues as Pumblechook takes great delight in describing what a butcher would do if Pip were a pig, and then telling Pip how lucky he is to be with them. Humor and sarcasm show in some of the holiday interactions, as well.
Pip relates how Uncle Pumblechook is Joe's uncle, but Mrs. Joe appropriates him, and every Christmas when Pumblechook brings the same two bottles of wine to Mrs. Joe, she responds with the same words: "Oh Un — cle Pum — ble — chook! This IS kind! Previous Chapters How to use this in an essay:. At first, just like Pip, we regard Magwitch as a threat and possibly dangerous though Dickens places the word 'man' at the start of the passage to remind us that he is a human being.
A further group of intense verbs follows to indicate the extent of the convicts suffering: 'limped, and shivered and glared and growled'. Our sympathy is therefore invited. As Pip's attitude towards Magwitch changes, so does ours. Magwitch in Great Expectations. Marshalsea Prison. Magwitch has had a brutal life and had to fight for everything.
He threatens Pip on the marshes and Herbert when he returns to London unexpectedly. He physically attacks Compeyson to prevent his escape. To the young Pip, Magwitch appears to be a terrifying monster. He is an escaped convict, desperate to avoid capture and will say and do anything to keep his freedom.
The scene takes place in a graveyard which adds to the sinister feeling. Magwitch wants revenge on Compeyson, his partner in crime who betrayed him. He also seeks revenge on society in general for treating him harshly and unfairly. I not only prevented him getting off the marshes, but I dragged him here — dragged him this far on his way back.
Magwitch wants to make sure that Compeyson pays for what he has done — even if it means further punishment for himself. Although he is a criminal, Magwitch helps those who help him and tries to avoid getting innocent people into trouble. Highly self-satisfied, they reveal that Pumblechook has arranged for Pip to go play at the house of Miss Havisham , a rich spinster who lives nearby. The boy is given a rough bath, dressed in his suit, and taken away by Pumblechook. His introduction to Miss Havisham and her world will determine a great part of his story and will change him forever.
Though Pip has no sense of the importance of the event, Dickens conveys its importance to the reader through Mrs. Joe and Pumblechook, who are obviously ecstatic at the idea of Pip befriending the wealthy old woman.
This is the first hint in the novel of the theme of social class and social improvement, which will quickly become the dominant idea. Because he spends the first several chapters of the book exclusively among those of his own social station, the theme of social class is not particularly important in this section. Joe and Pumblechook, and the ineffective rigor of his country school where he is taught by Mr.
Joe, implying even at this early stage of the novel that real self-improvement the kind that leads to goodness is not connected to social advancement or even education, but rather stems from honesty, empathy, and kindness. Pip will spend fifty chapters learning this lesson himself, and will then be struck by the fact that, in the figure of Joe, the best example had been in front of him all along. As he did in the first three chapters, throughout this section Dickens demonstrates a masterful ability to tell his story effectively without ever losing the perspective of childhood.
Though the novel itself is narrated by the adult Pip remembering his life, Pip the character is still a little boy in these chapters, and the narrator comically and sympathetically conveys his immature impressions. At the Christmas dinner in Chapter 4 , for instance, Pip is terrified that his secret will be found out, but he balances his fear with a deep desire to tweak Mr.
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